ARTIST: NECRO STELLAR
TITLE: "Saturating Cemetery / Dissaturating Stellar Space"
CATALOGUE#: SPR 066
FORMAT: 2xCD, jewel case
RELEASE DATE: 05.2008
OFFICIAL SITE: http://www.necrostellar.com
CD1 "SATURATING CEMETERY"
01. Saturating Cemetery
02. The Seven Rays of Da Kapa Preta
03. The Pictures of the russian village (part 3) - The Forest Road
05. The End of Summer
07. Stomenov Trip
08. Ori Egun
09. The Pictures of the russian village (part 4) - The Horned Herdsman
10. Eschatology of ununiversless
11. The Little Song for the Little Devil
"Tachyon Spiral" video
CD2 "DISSATURATING STELLAR SPACE"
01. Fuck the Red 1 [(Red Beast) Trance version] Rmx by ASTRALASIA
02. Only Moon Rmx by STEINKIND
03. Sweetness of pain (Sweetness) Rmx by ENDRAUM
04. Red Beast (Hard times+ ) Rmx by ROPPONGI ING. PROJECT
05. Fuck the Red 2 [(Red Beast) Dub version] Rmx by ASTRALASIA
06. N. I. L. (Enail. part 1. On the River) Rmx by THE SECT
07. Only Moon Rmx by HYPNOSKULL
08. Equation of Autumn Equinox (Toad DJ mash up) Rmx by ASTRALASIA
09. Only Moon Rmx by NEIKKA RPM
10. Novena Rmx by MIND: AREA
11. Red Beast Rmx by XEBOX
12. Mata Luna Rmx by SIGILLUM S
13. Red Beast Rmx by BLEIBURG
14. Satellite of Satan Rmx by CISFINITUM
15. Tachyon Spiral Rmx by ULTRA MILKMAIDS
Order Necro Stellar "Saturating Cemetery / Dissaturating Stellar Space"
Order Necro Stellar "White Tranquility"
Order Necro Stellar "Pulsing Zero"
The double disk is the re-release of “Saturating Cemetery” album containing “Tachyon Spiral” graphic video in its bonus section. The second disk “DISSATURATING STELLAR SPACE” consists of remixes and cover versions by the most interesting bands from all over the world.
"Saturating Cemetery" is, in a sense, some kind of rarity and experiment in which wide spectrum of different instruments is presented, from Soviet synthesizers to percussions made of human bones. The stylistics varies from dark ambient and psychedelic rock to electro and cyber dark space. The mild synthetic beat that moves to dance rhythm, the classical contrast between low male vocal and ethereal female one. The occult mystic atmosphere gives the special dark mood to the album. This release will be very interested to the fans of dark wave, synth-goth, dark electro and EBM.
SATURATING CEMETERY CONCEPT:
"This work is the fresh view and the new submergence in the total intensity of emptiness, where the
principle of inessential being of strange observer structures the nature chaos, where the live is like
dead and on the contrary. The music appoints a shape in the place of peace and place of dream, and the
dream of life embraces the dream of death. The essence of it lies in the name of the album -
"Saturating Cemetery" - is kind of filling of time interval, frozen and immovable. It is the
quintessence of shapeless aspect of absolute whiteness, primordial peace and eternal happiness. The
music goes round, disappears, thawing like snow, rises again, natural becomes silence and, discovering
a new coil, growing, hiding in the simple simplicity of absolute whiteness. Filling with emptiness is
an aspect of wandering too, didn't restricted with space ( The Pictures of the Russian Village - The
Forest Road, The Horned Herdsman"), where the observer, following just his own heart, doesn't
anticipate the motion of things, acting only in conformity with harmony, where words respond to
sounds, and sounds to words. Rotation without respond and becoming frozen and still. Without interval,
Another integral party of the album - is the theme of death, as consciousness of ancestors ( Ori
Egun"), presented not as the exploiting of animal mind, and not as the sensation of subtle smell of
cold breath anticipating a jump in abyss, but in the Kin Rings of ancestors, in the unruffled
clearness of зазеркальной emptiness, where he heaven keep peace in the clearness, where things dance.
The truth is in the roots, sweetness is in the emptiness, coming out of Invigorating Genius of the
Earth. Intolerable benefit - is over the brink conceivable. Music is presented here in the seven
secrets of transformation, where The Red Genius of Devil gives red satisfaction of needs in the
totality of the ended. Happiness and sweetness, relaxation on the bottom of the white music in the
white clothes. Balance, subordination of life processes the way you want - ies the new aspect of music
( Stomenov Trip", Sweetness", Eschatology of Ununiversless") and truly delight with no reason. The
Red aspect of The Invigorate Genius shows itself not only generally, but particularly. Because of it,
following the old tradition from album to album, we decided to show the aspect of these particulars,
but very certain sides. This time the second song belongs to wonderful in any of ways demon qinbanda
petro VouDoo - Eshu Da Kapa Preta. This is the Red Music you may listen and feel with your body. Let
your body reflex. Turn your intellectual organ off and give yourself to dance.
In conclusion - the new album not only beautiful narration about transformation of things in
emptiness and traveling to Heaven Happiness, but the deep somatic therapy, whose etiology concentrates
in goodness not only to listener, but to author himself.
A strange duo, and a stunning record, this is the kind of thing which quite literally makes your day, from the initial discovery, with the delight it causes, right through to the way you start to recognise and anticipate the crazy surges and beguiling treats on offer. What it is, and why it's made this way, is a total mystery to me, because the Goth content is virtually zero on one level, and yet the magic and mayhem they cause is entirely Goth-relevant. So that's another sign of Russian Goth being so unpredictable that you have to keep a wily eye on it, because it can be so much more exciting than the usual.
'Saturating Cemetery' as an opening track is like the tick-tocking of irate synths, with bells for company alongside rounded, impatient bass notes, and this music fills out with surety and instant intensity, as crunching electro of an edgy, arty sort should. Then in comes this big gruff, totally Russian voice, like out of a doomy historical epic. (Motherfucker Russia?) The music swells sweetly behind him as he gargles along, with tsars in his eyes. It is ridiculously hypnotic and sparkly, but based on a bed of nettles. It prickles and heaves happily and when the quicksilver backing vocals start to scoot about you know it is as convivial as Dvar, but essentially conventional. So, you've been hit by their winning ways, and then you whimper over what's coming next.
It's called 'The Seven Rays Of Da Kapa Preta' and with a waltzing bass and stamping, treated vocals this is more Gothish but like some caveman goth trying be serious and profound only to find once his blindfold is removed he's on a trampoline. (Whee!) Pop to it's bleeding core - but I daresay guess cossack drinking songs were the original techno! - it has stages too, as they purr and boil, then cut into snappish mood. Think of 2 Unlimited splashing through a broken down sewer - Are you ready for Piss? - and it's similar, brilliant fun! Kitsch dance, thrust into the gloom but not afraid of the dark.
'The Pictures Of The Russian Village (Part 3) - The Forest Road' is a magical musical landscape of echoes and enchanting synth all but replicating insects and muffled noise. Then Yura (for it is he!) begins to sing sweetly, making it a less blighted, claustrophobic region, only for it to close in again once he wanders away. The long 'Clearness' has fiendish dance mechanisms having a fit behind slow heartfelt vocals, and the percussion darts about behind the attractive female vocals of Anastasia (for it is she!) who fill the spaces delicately, as they gradually build, then pound and slug you repeatedly before dropping back to dripping noises, and gaseous synth sounds. Well creepy. 'The End Of Summer' by contrast is gentle and chiming with this thunking bass hanging vibrant before our eyes, and it manages to exist with some momentum despite being a bit daft really
'Sweetness' provokes more mad vocals to hang in the air like a perverted wizard, then a fuzzy electro pop dance track starts his hips swaying, and she sings like an ailing diva. With a brilliant 'Dr Sweetness' chorus that is heavenly. And quite mad. 'Stomenov Trip' has deeper, rumbling, dribbling, da-da-da-dum vocals and seeping bass menace. There's also churchy sounds creeping from the morose climax. 'Ori Egun' then breaks out as supercharged dance, but goes all pastoral lyrically, sung in harmonious style, before we plunge back down a steep slope on a synth rollercoaster, which is totally invigorating.
'The Pictures Of The Russian Village (Part 40 - The Horned Herdsman' is wonderfully murky, and remains consistently strange until a very weird, stretched and squeaking ending.
'Eschathology Of Universeless' features more crazed, shifting noise, yet just when you suppose they'll get darker until the album ends 'The Little Song For The Little Devil' steps out as a chirpy dance thing with twitching beats crosscut into its lunacy, and that takes you into 'Dlo Kwala Manyan' which is equally driven, but with divine vocal strafing amid the musical chafing.
You know, it's almost like this record is a modern soundtrack for the film Barbarella, it's that unusual, that commercial - in its own twisted way - and that wonderful. Let's play it again.
Mick Mercer, THE MICK # 15
Yet another Russian band dealing with electronics and industrial soundscapes! NECRO STELLAR is a duet made up of YURA ZVEZNIY who is responsible for the music but also most of the vocals which range from dark growling to more typically Russian anthems (although some are probably samples taken from the traditional Russian music industry) and Anastasia who is a nice blonde girl providing some interesting vocals (mainly backing though). Their very own style is rather particular and their compositions are rather complex when it comes to more up-beat and ebm stuff. But the parts where they really begin to captivate their audience is when they start developing more oppressive and gloomy atmospheres. With almost the half of the album, they plunge us into a nightmarish world filled by various noises (both natural and electronically processed) and through which we finally find an explanation to the title of the album. Really intriguing and attractive band which deserve more attention. NECRO STELLAR is the living proof that the Russian scene has developed its own identity. If you want to expand your musical territories in the electronic field try this one.
(CF: 7) CF.
This album is the musical equivalent of a cult film. Overall its genius probably justifies how grandiose it can be, since
there's nothing formulaic about it and it's fairly addictive. Quivering intros and the rattle of bones give way to
whirling-dervish EBM dance beats and guttural, frothing vocals. Through the ominous build-up of cold-wave fog come spiky
branches of sound, disturbed flocks of birds, and lost fragments of more innocent melodies and voices. Saturating Cemetery
is a great example of creative electronics and a deliciously morbid imagination and composer Yura Zvezdniy's Russian roots
are even revealed in it's rich earth. Like a cult film, it can does go right over the top.
Carolee. Gothic Beauty Magazine #19, winter 2005-06, (USA)
Holle, ist diese Scheibe abgefahren! Denn was sich hinter dem Namen Necro Stellar verbirgt, its ein akustisches Horror-Kabinett par excellence. Ob gewollt oder nicht, das zweite Album des russischen Duos klingt wie der ideale Soundtrack zu einem bizarren Gruselthriller von Tim Burton. Irgendwo im Fahrwasser von Bands wie Das ich, Alien Sex Fiend oder Notre Dame agieren Necro Stellar, die stilistisch einen Sog aus Industrial, Post-Punk, Electro, Batcave, Psychedelic Rock und spacigen Atmospharen erzeugen. Immer wieder begegnen dem geneigten Horer Kinderliedmelodien, Kirchenorgeln, groteske Samples und minimalistische Loops, die zusammen mit antiquierten Electrosounds, Gitarrenklangen und Percussions eine ganz eigentumliche, soundtrackartige Mischung ergeben. Gro?en Anteil an dieser psychotischen Klangreise hat naturlich auch der pathetische, effektbeladene Gesang, der mal aher klassisch aus weiblicher und mal bedrohlich und tief aus mannlicher Kehle dringt. "Saturating Cemetery" ist also nichts fur schwche Gemuter, auf der nachsten Gothic-Horror-Party sollte der Longplayer aber keinesfalls fehlen.
Sascha Blach, ZILLO 09/2005
One of the most surreal releases I've come across in recent times. Which means I love it. We said in the past, keep an eye of the fresh and untamed eastern wave as we had the pleasure to discover for you a few little treasures from Russia and the former Soviet lands. Hopefully nobody is gonna hold it against us, but, having experienced the dramatic standardization' of the original dark scene (like in English and Teutonic), this release from Necro Stellar just confirms that a greater degree of freshness characterizes a whole load of creations reaching us from the east. Don't get me wrong, is not that I think that Ministry or Das Ich should be binned altogether, what I want to say is that while the vast majority of our dark heroes' have become utterly predictable in comparison. This doesn't necessarily mean their music isn't good! So, what makes this album tick? A complex simplicity (or a simple complexity?) that boils down to fresh ideas and the talent of experimenting outsides pre-defined patterns. Take Sweetness for example, dark-electro-synth-garage-pop madness complete with operatic vocal insets and the voices from beyond'. Or The Seven Days of Da Kapa Preta, bringing the D.A.F legacy far out to new, uncharted limits. I reckon there being quite an input from popular music in here. On another level, the ability to trace out dark atmospheres, interleaving brighter moments, is remarkable. Stomenov Trip or Eschathology of Ununiversless are fitting examples, giving fans of Cold Meat products something to look out for. Ori Egon will be up your shopping list if you are into the Attrition/Das Ich sort of feel. Again, quite a departure from either band. On the whole, there's little to skip on this album, really. In fact, when it folds at just over one hour and 12 tracks, I'm left with the feeling that it could have easily gone on for quite some time, to fulfill even weirder dark dreams.
Gianfri (Darklife magazine, Германия)
Aus Moskau kommen Necro Stellar, die bereits auf die Veroffentlichung von vier Alben und diverse Samplerbeitrage zuruckblicken konnen. Die Band besteht aus Yuri Zvezdniy und Anastasia Podnebesnaya und ist neben der Musik sehr auf eine asthetische Prasentation bedacht, angefangen beim Artwork der CDs und der Gestaltung der Homepage bis hin zum perfekt durchgestylten Image der Band. Musikalisch lassen sich Necro Stellar allerdings nur schwer fassen. Auch wenn das Fundament der Band elektronisch dustererer und durchweg tanzbarer Natur ist, so sind es doch die musikalischen Details, die Necro Stellar unverwechselbar machen. Zuweilen schimmert in den Melodien und der Art des Gesangs die melancholisch russische Volksseele und Schwermut durch und ein gewisses Ma? an Experimentierfreudigkeit durch die verwendeten Sounds, Samples oder Songstrukturen lasst sich ebenfalls nicht verleugnen, doch einem konkreten musikalischen Vergleich entzieht man sich im Lager Necro Stellars geschickt. „Saturating Cemetary“ besitzt daruber hinaus einen gewissen, auf fruhen Dark Wave-Bands beruhenden Retro-Charme, der fasziniert aber lange nicht so dick aufgetragen ist wie beispielsweise bei Bands wie Welle Erdball. Necro Stellar ins in ihrem kunstlerischen Agieren deutlich subtiler, durchdachter und ohne Frage sehr viel anspruchsvoller. Grob mogen zuweilen Deine Lakaien als Vergleich herhalten, doch auch dies kann und darf nur als vager Anhaltspunkt dienen, was alleine durch den phasenweise weiblichen Gesang von Anastasia deutlich wird. Necro Stellar ist eine jener Bands, die ihre Chance bei einem der grossen deutschen Festivals ohne Frage zu nutzen wussten, so sie denn die Gelegenheit fur einen Auftritt bekommen wurden.
This band caught me totally by surprise and at first listen I wasn't sure what to think. My first impressions were that the
music was slightly goofy and an extremely strange sound mixing industrial with folk and cabaret. However, the more I have
listened to this album, the more I enjoy it. It has quickly become a favorite of recent releases based on this extremely
unique sound that is presented.
The name of the band Necro Stellar brings to mind a mix of death and macabre mixed with something sci-fi from outer space.
Like the name suggests we're thrust into this dark mixture of mayhem with the title track "Necro Stellar" through it's
haunting mix of synths, driving beats and deep robotic vocals. The first two minute intro sounds like something from a
Halloween special track, yet this pattern keeps going throughout the track. This track sucks you and in and holds you as you
really become entranced by their unique style. However, if you enjoyed the first track, you'll love the following piece "The
Seven Rays of Da Kapa Preta". The sound on this track is so incredibly unique, it's hard to explain. Once again a short
quiet intro kicks it off, but the listener is quickly bombarded with the harsh industrial vocals. But don't be fooled by
this initial sound, the bass is catchy and the tones that are added are fun and addicting and really keeps you moving. The
overall tone is fun and you can tell these two are having a blast creating their music. It's almost comparable to the punk
scene, but in an electro-industrial vein.
After these two incredible introductory tracks we're left in an eerie sci-fi world as "The Pictures of the Russian Village
(Part 3)" takes us deep into a spooky sounding alien world. This style drifts along in a sort of space-ambient industrial
mix through several tracks in this album. This alien mood is broken up from time to time by the moody musical pieces like
"Clearness" which picks up the vocals and fun soundscapes again or the very Attrition-sounding "Sweetness". This latter
track is another that is catchy and hypnotic that will leave fans wanting more. But the disc moves on with more of this
catchy sound and drifts in and out of the ambient soundscapes.
As the album starts to wrap up we're left with two bonus tracks which are both nearly 200 bpm and what could easily become
something of a mix of Russian-electro-punk. "The Little Song For The Little Devil" picks this up first with a sweet
electronic intro reminiscent of early 80's electro. In fact many songs on this album are like a mix of Grendel meets The
Buggles where the industrial purist kills the new wave star. But this style works so well on this album and I don't think
anyone else could really pull it off. After this short little intro it picks up like a tornado with vocoded robotic vocals
and the fun electronics and driving beats. This gives way to the finale of the album "Dlo Kwala Manyan (Nothing remix by DJ
Chton)" which is another whirlwind track that leaves the listener's head swirling as the disc finally comes to a close.
So there it is, this is something that people really need to check out especially if you want something that is completely
unique and unforgettable.
Gothic Paradise 4.5/5
Primeira e mais importante banda da Russia, o Necro Stellar surgiu em Moscow e traz neste seu primeiro cd, uma excelente
mistura de dark electro, gothic rock, Industrial e medieval. Formado por Yura Zvezdniy e Anastasia Podnebesnaja, a banda
mistura instrumentos acústicos e muita eletrônica surgindo um som próprio com influências da música
russa e muito misticismo do lado mais dark.
Vale a pena conferir. Destaques: Saturating Cemetery, The Seven Rays of Da Kapa Preta, Sweetness e Ori Egun.
Este cd está a venda pela Wave Propaganda.
"Black Bottom" self-released, 1993-94 (Tape) limited edition
"The Rill beneath the Ice" self-released, 1996 (Tape)
"Glacier" 1999 (Live in "Tochka" CD-R Release)
"Ice Server" 2000 (Live CD-R Release)
"Dlo Kwala Manyan" limited edition CD-R release, 2003
"Saturating Cemetery" Shadowplay Records, 2005
"Pulsing Zero" Shadowplay Records, 2006
"Белый покой (White Tranquility)" Shadowplay Records, 2007
"Saturating Cemetery / Dissaturating Stellar Space" 2xCD Shadowplay Records, 2008
V/A "Elektronenklaenge aus dem Radioland. A tribute to Kraftwerk" track: "Mitternacht" ?, 1999
V/A "Colours of Black: Russian dark scene Compilation" track: "Mange Morts" Shadowplay Release, 2004
Moon Far Away "Lado World \ Anti - Lado World" (cover version: "Krug-Koltso" [free cover version]) Shadowplay Release, 2005
V/A "Shadowside" track: "Ori Egun" Shadowplay Release, 2006
V/A "Colours of Black: Russian dark scene Compilation vol.2" track: "Only Moon" Shadowplay Release, 2006
V/A "ХАТЫНЬ: Tacet, Sed Loquitur" track: "Stay And Burn" Stigmata, 2006
V/A "Extravaganza!" track: "Only Moon" "Stereo & Video" magazine, 2007
V/A "Mobi magazine sampler" track: "Only Moon" "Mobi" magazine, 2007
V/A "Dark Disco" tracks: "Pulsing Zero", "Over Grave Immortality" "Stereo&Video" magazine, 2008